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Eloisa Gobbo

During her training between the United States and Eastern Europe, Eloisa Gobbo has dealt with different media, from photography to painting, from sculpture to installation. In fact her work is characterized by a rigorous compositional and formal structure, where ornamental motifs, similar to modern mandalas, geometrical drawings and colourful decorative patterns are combined and often overlapped to the point of becoming almost unrecognisable, alongside images taken from the world of advertising, design, fashion and popular culture.

Her work has been noted for its use of colour, the incorporation of motifs from both Eastern and Western decorative tradition and popular culture, and for its flat surfaces. Among the recurring motifs are flowers, abstract, geometric and organic ornaments, arabesques, popular logos, maps, characters and signs.

The result is colourful and charming works, with a cheerfulness and a strong sense of colour, where a conceptual layout and a neo-pop taste coexist also on different supports and materials.

In recent years, she has expressed her creativity using different media such as painting, sculpture and digital graphic artworks. Her main interest is in decoration as a form of expression of personal and social content and repeated pattern, which make a colourful show in her paintings and carpets.

Eloisa Gobbo 4
Eloisa Gobbo 4

Eloisa Gobbo is an Italian artist currently based in Padua, Italy.

She has won some competitions to create public works of art, such as those for the Pile-dweller Museum in Trento or for a Nursery School in Ravina, Trento.

In 2009 her work was shortlisted for the prestigious Fabbri Prize (Premio Fabbri terza edizione, Bologna). She has given several solo and group exhibitions in Italy and abroad, among the most important of these public shows were "Pop Up Italian Show" Hubei Museum of Art, Cina (2014), "Italian Newbrow", Civic Museum of Palazzo Volpi, Como (2012), "Arte italiana 1968-2007 Pittura" Royal Palace Milan (2007), The "Prague 's Biennial 4", Karlin Hall, Praga (2009).

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